Jazz Noir: Listening to Music from Phantom Lady to the Last Seduction
Jazz Noir: Listening to Music from Phantom Lady to the Last Seduction Jazz has been associated with crime and immorality since early forms of the music were heard in the brothels of New Orleans and the gangster-owned clubs of the 1920s. This association encouraged the use of jazz in film noir, a genre preoccupied with tales of anxiety and urban decay, which flourished in American cinema during the postwar period. Yet, although the extent and nature of this collaboration has often been alluded to, it has rarely been examined in detail. Making significant use of archival sources and documentation, Jazz Noir seeks to correct this oversight, placing the films discussed in their proper historical context and utilizing an interdisciplinary approach that gives equal weight to the films--including such notables as Phantom Lady, I Want to Live!, and Taxi Driver--and to the indelible music that accompanied them.
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